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Comic Art Collectable's
Avengers Comics
Original Comic Art paintings from wallpaper to hand painted full sized stretched canvas collectable Art.
Make no mistake these are of the highest quality paintings available online.
All works are guaranteed and come with certificate of authenticity . Each limited hand made Edition.
Captain America
Batman Comic Art
Original Illustrated Comic Art on paper fully illustrated in colour.... >>
Will be painted on Artist quality acid free watercolour paper and designer ink.. >>
Sold with authenticity sold on first come first served.... >>
You will be buying the original no LE or Glecie print copy...... >>
Price will be kept under a maximum of £200 and will inc free delivery... >>
Not a copy, but made up original by Graphic Artists skill and imagination.>>
Coming Soon...
Each Painting is painstakingly hand painted by a professional Artist using high quality paints and materials on 3D gallery stretched canvas ready to hang and display.
WHAT'S NEW!
Hugely collectable works of Art exclusively hand painted Limited Editions. Order direct from Artists.
Exceptional quality of the highest order, you’re think its a print!! Must be seen to be believed.
Home Elite Decor
Short History of Comics
Comic Artists were condemned as being a waste of time. For several decades this view remained common. But in the 1960's people began to re-evaluate comics and appreciate their artistic qualities. International comics conferences were organized, major art exhibitions devoted attention to comics, and comic art museums were founded. Comics are now regarded as one of the most significant forms of century culture.
Comic art has finally become the latest Hollywood blockbusters, with films such as Hulk, Spiderman, Superman and X-men. And if it wasn’t for the Artists like Stan Lee, who sketched and painted their creations in comic book pages, their will be no such action for the big screen.
Yes Hollywood has finally turned the Artists imagination into reality in spectacular effects and digital extravaganza for all to feel and enjoy what Artist have for centuries but on a world wide scale.
Every Artist has drawn their favourite comic book character, whether hero Spiderman or villain Dr. Doom. since they were kids, who grew up with comics full of action.
We have now added our own Modern and Contemporary comic artwork. As more and more Comic Art become Hollywood blockbusters and the budgets and computer graphics and innovative animations become award winning reality, more dramatic and engrossing movies become a way to full fill our daily boredom grind of work. We want our Art to be instantly recognized or provoke a reaction within the viewer so that they are propelled to react or comment on the Art.
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Originals
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DELIVERY
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+7 Day Price
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Gallery 3D
High Quality
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Certificate of
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LOW Limited Edition ONLY 100 of Each!
NEW Extra Large SIZE
40” x 30”
All IN FULL
HD COLOUR
Each is Signed Numbered and Dated by Artist
No framing needed. Inc FREE hook and screws
O.K. You wanted a better higher quality collectable paintings, Exclusive- Limited Edition and Certificate of Authenticity. Don’t mind being prepared to pay a little more, but still good value for money.
Well we have decided to move it up a few gears and promise you wont be disappointed .
We have been Listening to YOU!
SIMON BISLEY
Simon Bisley has staked out the high ground as comics' most brutal artist. His work is tough, brazen, rude, violent, brash, and powerful. From Lobo to Slaine to Death Dealer, Bisley's name is synonymous with aggressive excess. While his choice of subject matter may be, shall we say, less than subtle, his style and mechanics are anything but. As a painter he has produced rich, bold works. Unlike many modern painters obsessed with smooth technique (Boris Vallejo, Dave Dorman), Bisley has developed a more organic, classic look which suggests Frazetta (whom he much admires). If you like your comics broad-shouldered and rough, Biz is the man for you.
DAVID MAZZUCHELLI
What Dave Mazzuchelli wrought in a very short time was wonderful to look at. After beginning his career under the tutelage of Gene Colan (evident in his earliest work), he developed a rich, dark style that lent itself perfectly to his role as visualist for Frank Miller's stories on Daredevil and Batman. His layouts were subtle and exciting, exhibiting a depth of thought and craft rare for the modern star. He has recently stepped away from mainstream comics to publish Rubber Blanket, a bold, risky venture which has seen him eliminate much of the artifice in his work and delve into a simpler, more direct core. Dave has the drive, the impetuousness, and the skill to help push comics to a more mature and enlightened path. We need more like him.
KEVIN NOWLAN
A first class inker in any era, Kevin Nowlan's pencilling has been highly underestimated since he began his career in the early 80's. First appearing as an illustrator for the fan press through The Comics Journal and Amazing Heroes, Kevin eventually moved on to create richly delineated work, both pencilling and inking. His collaborations with Dan Jurgens and Gil Kane have produced magic, while his own jobs showcase statuesque and heroic figures rendered with a feel gone since the days of Mac Raboy and Al McWilliams. One has a feeling that Nowlan will need a signature series to be associated with (ala Mignola's Hellboy, or Adams' Monkeyman) before he will be duly recognized.
JOHN BYRNE
For a core of fans who began reading comics in the late 70's or early 80's, John Byrne is a icon. His work on Iron Fist, Fantastic Four, and of course, X-Men cemented his reputation as a trendsetter and the superstar of his era. His early work featured some sharp drawing in the mold of Neal Adams and Jim Aparo, along with solid, well-constructed layouts that followed the classic template of the Marvel masters. He helped create or define characters such as Sabretooth, Wolverine, and Kitty Pride. The quality of his work has declined noticeably since his departure from Marvel in the mid-eighties, however. Stock poses; uninspired, repetitious layouts and sloppy finishes have helped drop him far down from his previously lofty position in the comics hierarchy.
ALEX ROSS
It took one spring for Alex Ross to go from a relative unknown, working on titles such as Terminator: The Burning Earth and Open Space, to comics' number one superstar of the middle 90's. Growing more ambitious and surehanded in the years before he wowed the comics world with Marvels, Alex has built on that 1994 triumph to become the industry's most sought-after painter, designer and cover artist. His meticulous and sharply executed painting is the result of supreme confidence and superior preparation. Every step of the process is confident and well thought-out: design, layout, drawing, and painting. His style reflects his attention to detail without being top-heavy on technique (ala Boris Vallejo): strong emphasis on color composition; sharp contrasts; use of reflected light; and an uncanny ability to render fantastic subjects in a "realistic" manner while retaining the paper-thin barrier between fantasy and reality. Check this list in 5 years and you can be sure Alex Ross will have moved up a few notches.
PAUL SMITH
Coming to comics from animation, Paul Smith's simple, elegant figure work and clear layouts have been a welcome contrast to generations of comics cluttered with unnecessary detail. Smith understands the need for the eye to rest and absorb what it's seen. These negative areas allow the reader to focus in on the important details which really tell the story in Paul's work: body language, facial expressions and relationships between spaces, size and staging.
GEORGE PEREZ
George's place this high on the list may surprise some people, but he has already logged (gasp!) 25 years experience, and continues to do essential work and improve with age. Perhaps the last in a line of "classic" 60's style comic artists, George has followed the tradition of outstanding illustrators such as Murphy Anderson, Gil Kane, John Buscema and John Romita. His dedication and enthusiasm have helped him remain a star with much of the youth culture while many of his early contemporaries appear dated.
GENE COLAN
Stan Lee didn't tab Gene "The Dean" for nothing. Versatile in the extreme, Gene adapted his highly individual style to a variety of subjects and always came out looking great. Who as an editor would have thought that Colan's style would have suited the likes of Iron Man? But suit it he did, becoming the most acclaimed artist on the strip, as well as on Daredevil, and running the top tier on Captain America and others. In addition, Gene tackled science fiction, war, romance, and suspense with equal elan. Although health problems have dimmed his edge in recent years, Gene nonetheless still consistently turns out high-calibre work .
FRANK MILLER
Another of the "experimenters" on this list, Frank has made it part of his job to push the barriers of storytelling and style. As result he has remained fresh and influential throughout his 20 year (!) career. It seemed obvious from the beginning that Frank was destined to be something more than just another hack. He spent hours sketching New York, drinking in the ambiance of the city, and it showed when he got his first break at Marvel. The city itself became a character in Daredevil, and Frank used it to great effect. He exploded conventional layouts, employing some of the strategies of Steranko, Krigstein, Will Eisner and others who wanted to drag the medium to its full potential. He has also reinvented his style regularly (Daredevil, Ronin, The Dark Knight Returns, Sin City) to suit the tenor of his stories. While perhaps not a true "original", he has helped refine and hone great ideas to razor sharpness.
JIM MURRAY
Jim Murray is an artist for 2000 AD and Judge Dredd Megazine from the 1990s. He was at film school, but preferred the comics profession. Among his early work were 'Harmony' and 'Holocaust 12', in which he first showcased his "painted style". He cooperated with Glenn Fabry on 'Die Laughing', the 'Batman/Judge Dredd' crossover. For DC, he worked on several 'Batman' comics, such as the 'Batman/Demon' mini-series.
ADAM HUGHES
Adam Hughes is a comic book artist known mostly for his renderings of pinup-style female characters, and his cover work on titles such as Wonder Woman and Catwoman.
In 1987, Hughes penciled two short stories and the first issue of the character Death Hawk, created by Mark Ellis. In 1988 Hughes' work appeared in Comico's Maze Agency with co-creator/writer Mike W. Barr, and stayed on the book for one year. When Maze Agency was cancelled by Comico, DC Comics offered him a job on Justice League America. He did both covers and internal renditions on that series for two years, before switching to providing covers only.
Meet the Artists
Catwoman Painting
Fantastic Four Art
Conan Paintings
Flash Comic Art
Hellboy Painting
Green Lantern Art
Each painting is made to order. Yes it will take longer approximately three to four weeks, we will then send you an email for approval, before packing and shipping out.
Each Artist spends approx over 224 hours of intensive laboured work painting, 224 x min wage £5.80 = £1,299.20. This does not include the cost of materials- Windsor and Newton Artist acrylic paint can cost between £8-11 per tube!! So you really are saving a massive £900.on RRP.
The artist will not skimp on paint , you will see and feel the texture of each expressive stroke.
The Artist will sign the painting and will number it for authenticity. Strictly ONLY 100 of that particular picture will be painted. So if you see one you like please buy now to avoid disappointment. The Artist Is not a student but trained working graphic artist and portrait painter
Hulk Comic Art
Powergirl Comic
Iron Man Painting
Punisher Movie Art
Spiderman Painting
Sin City Book Art
Tomb Raider Art
X-Men Comic Art
Wonder Woman
Superman Comic
Thor Comic Art
Top 20 Comic Art Collectable's
Contact us now & place order &request!!...
ABROAD ARE NOT ST REACHED BUT
SENT AS ROLLED CANVAS BUT IS SENT FREE!
Original Comic Art paintings from wallpaper to hand painted full sized stretched canvas collectable Art.
Make no mistake these are of the highest quality paintings available online.
All works are guaranteed and come with certificate of authenticity . Each limited hand made Edition.
Original Comic Art paintings from wallpaper to hand painted full sized stretched canvas collectable Art.
Make no mistake these are of the highest quality paintings available online.
All works are guaranteed and come with certificate of authenticity . Each limited hand made Edition.
Original Comic Art paintings from wallpaper to hand painted full sized stretched canvas collectable Art.
Make no mistake these are of the highest quality paintings available online.
All works are guaranteed and come with certificate of authenticity . Each limited hand made Edition.
Original Comic Art paintings from wallpaper to hand painted full sized stretched canvas collectable Art.
Make no mistake these are of the highest quality paintings available online.
All works are guaranteed and come with certificate of authenticity . Each limited hand made Edition.
Original Comic Art paintings from wallpaper to hand painted full sized stretched canvas collectable Art.
Make no mistake these are of the highest quality paintings available online.
Original Comic Art paintings from wallpaper to hand painted full sized stretched canvas collectable Art.
Make no mistake these are of the highest quality paintings available online.
All works are guaranteed and come with certificate of authenticity . Each limited hand made Edition.
